I’ve always been impressed by bands and projects that involve Matron Thorn: Crowhurst, Benighted In Sodom, Midwinter Storm, Andacht and, especially, mighty Ævangelist. And hurray, recently he started a new project, called Death Fetishist.
If I’m not mistaken – and since I’m a smart guy the chance is almost nihil – ‘Arkona’ is the name of a cape on the Rügen island, nowadays in Germany (Baltic Sea, close to Poland), where the Slavic fortress Jaromarsburg was built. Like many castles, it has been a source of inspiration for many Metal bands. Behemoth’s first recordings, for example (at the time that they did still play ‘real’ Black Metal), referred to that era / area, but there are quite some bands named after that specific historical place too.
Rob Moratti started his career in the nineties as lead vocalist and songwriter of the band Moratti. Around the millennium he teamed up with songwriet Mladen and they formed Final Frontier. In 2008 he became the singer in famous Canadian rockband Saga.
Being a fan of Journey himself, he decided it was time to bring a tribute to them, so he recorded these 12 songs. Among them some of my all time Journey favorites like ‘Don’t Stop Believin’ or ‘Anyway You Want It.
Limb Music is re-releasing Wizard’s back catalogue, and instead of writing a review for each separate album, I’ve decided to write one review for the two albums I received, the 2001 ‘Head Of The Deceiver’ album, and the 2005 ‘Magic Circle’ album.
This album must have been gathering dust at the back of a drawer I guess, since I only received it some two weeks ago to write a review. When I looked at the bands name, and the graphics it was written in, together with the picture on the album’s sleeve, I got visions of eighthies German trash metal band, but I couldn’t have been farther from the truth. These guys come from the US, and play melodic metal.
Finnish horde Archgoat was formed at the end of the eighties, and after the recording of some demo tapes, they wrote some new material that was supposed to be released via Necropolis Records (which, at that time, was one of the most impressive underground labels, I think), along with some older stuff that appeared on the demonstrational recordings. Normally it would come out in 1993, but because of some specific circumstances, the release got postponed.
Talon is an American band, born from the ashes of Voxen, a band I personally hadn’t heard of, yet they seemed to have scored some success with their releae ‘Sacrifice’, an album that included a track that was used in the motion picture ‘Outbreak’, a movie that starred Dustin Hoffman. The band was formed in 2002, and this is their fifth release so far.
After nine years existence, Eden’s Curse now releases their very first live album, recorded in Glasgow’s Classic Grand on November 28th 2014. Before, they released 4 studio albums that received good reviews. Mixing and mastering of these recordings was handled by none other than Dennis Ward, their longtime engineer.
I’d call this an unlucky release by AOR Heaven, because the music this band brings has, as far as I’m concerned, nothing to do with AOR. Instead I’d call this pop music, Britpop, modern rock, although the rock element to me seems very distant.
This album contains tracks of the band’s previous US releases, being four EP’s released between 2007 and 2013. It sure is radio friendly, but it lacks energy.
If you ask me, this is not an album that should be reviewed for Concrete web, or any other metal site for that matter.
Rock fans beware of this ! I’ve never been that keen on folk rock, with the exception of a few bands like Big Country or The Dropkick Murphys (although you can hardly say that they play folk rock in the traditional way).
And despite being around for some 27 years I’d never heard of this band, so I guess it’s not a band you hear frequently on the radio.