Zinc Room is a Russian outfit by Alexander ‘I’ Syromyatnikov (the same person who runs Evil Dead Productions), assisted once again by Andrey Kein (both as session musician as being the long-time mixer / master; also known from e.g. Corona Barathri, Church Of Howling Dog, Sol Mortuus, Chaotic Bound Systems, Carved Image Of Emptiness). Both are (were) formerly active as Prognostic Zero.
As you do know (or not, but then you will as from now on, so keep reading), Frozen Light are a label with many aural angles, yet always with ‘obscurity’ in mind. Of course, it is not different for this third recording by Italian act Zoloft Evra.
Even though this album was released two years ago, I still want to write down my thoughts on it. There are several reasons. First of all, the quality of the Aural Art. I will come back to this immediately. Also of importance is the fact that Frozen Light recently released the successor of this album. In preparation for my review on that new album, which is called моменты (‘momenty’, meaning ‘moments’), I prefer to come back on this former release first.
I have always adored that imaginative, winterly Ambient stuff à la Moloch, Symbiosis, Sieghetnar, Vinterriket, Nebula VII and the likes, and another act within this non-limitative list is Italian one-man project Winterblood.
Sometimes it is almost an orgiastic pleasure to introduce an underestimated act, one that truly deserves deep-going fame. Okay, EugeneKha surely is a well-known name within its specific genre, and within the Russian Electronic / Ambient scene especially, but I wonder about his notoriety right here. I do follow this project for a couple of years, but this act has tens of releases, with several I have not got through yet. But what I listened to in the meantime was really satisfying, without any exception (live material included).
Nagaarum is quite an active solo-project by Gábor Tóth, whom you might know from bands such as In Vacuo, GuilThee or Sunseth Sphere. This project started in 2008 as an Industrial / Ambient outfit, but Nagaarum permanently evolved. In the near future I will write and publish a review on Homo Maleficus, the 2017-album, but first I’ll write some words about 2016’s D.I.M.
Tornio is a city in Finland, located at the border of Sweden (it’s like a sister-city of Sweden’s Haparanda), and at the very Northern shores of the Gulf of Bothnia. Tornio is also the location where Ordog hail from. The latter is a band that was formed at half of last decade, being named after the Hungarian word for ‘devil’. These Finnish doomsters did record and release a couple of demonstrational stuff, and five full lengths (without the compilation that covers the first demos).
With the band’s name, the album’s title, and the cover picture, I was afraid I would throw over soon. Fake Cats Project performing Russian Canon (I’m not sure, but I think it’s named after a classic composition once written by Igor Stravinsky), while seeing a clay cat with green-marbled eyes on a wooden hammock… No, this probably won’t do.
I had not heard of this guy before, but apparently James Batty is a multi-instrumentalist who lives and works in London. As from his youth, he’s fascinated by music and sound compositions, and he did some studies at the known Chetham School Of Music. During his studies, he was elected in a competition for the BBC, the Young Composer Competition, which he eventually did win. Throughout his career, he did quite some solo things, including improvisations, and he did work with a huge variety of famous musicians too. That, in short, is like a brief biography.
This is not a review on a new recording by German band Winterblood, you know, the one that gave pleasure (or irritation?) to the Black Metal scene with their 2013-album Herbstsehnsucht. That album was released via French label Le Crépuscule Du Soir Productions (at this moment having a break, apparently???), and the funny thing is that this very same label also released something from another act called Winterblood: Anelli, 2014.