With some delay, but since it is never too late to focus on some wonderful material… And as prequel for the upcoming album Egrégore…
Muruth was formed in 2008 by a guy from Slovakia, known as von Ulfhednir. That very same year, a short demonstrational recording was released digitally (with assistance of a session singer), but then things turned into silence.
Exactly two years after the grandiose recording One Lumen In The Past (http://www.concreteweb.be/reviews/exit-grey), Exit In Grey come up with моменты (read: ‘momenty’), getting released once more via Moscow-based Frozen Light. I would like to refer to that review when interested in the history of Exit In Grey (or that specific album; why shouldn’t you anyway?).
Although the band was formed in 2008, Wrathrone have not been that active actually. In Spring 2013 they independently released the EP Left Unburied, and in very early 2018, Inverse Records released the band’s debut full length album, Born Beneath. Then it took another two years for this Finnish band to release the second full studio album, Reflections Of Torment.
I have to admit that I do not know more than five or six, maybe seven bands from Cuba when it comes to the harsher side of the music(k)al spectrum. Yet as from now on, I can add another one to this (way too limited) list: Skjult. Apparently it is the brainchild of one Conspirator, born as Javier Rodriguez Prendes.
About one year after the grandiose recording Particle Void, also released via mighty Cryo Chamber, the duo Martin Stürtzer and Christian Stritzel return with their fourth masterwork. It was a coincidence, or a prophetic omen, but the day before label owner Simon Heath did send me this album’s download link, I had listened to Particle Void once again because I just felt like. Karma or not, but it made me aroused for some (understandable) reason.
Exactly 100 years after the start of the first World War, some Ukrainian musicians joined forces under the name of 1914. Not kidding! Their aim was, in the first place, to play the stuff they do like, i.e. heavy and warlike Death Metal from the old school, and in the second place to canalise some thoughts on WWI. Pay attention, because 1914 are not a typical Nazi-combo, okay!
For almost fifteen years, Canadian act As Autumn Calls dooms all over the globe with their messages of despair, loneliness, tristesse and grief. The band was formed in 2005 by James Hawkins (grunts and bass) and Andrew Ilves (guitars and clean vocals), and in 2009 they self-released the great three-track EP Emotionless.
When you call your band ‘misanthropic existence’, I know that you’re doing a great job. So be welcomed, Misanthropic Existence!
Actually, this band was formed at the very beginning of this decade. In 2012 they recorded a first demonstrational mini-recording, and two of these tracks also made it, that very same year, to a split with Baalberith, Razakel Krieg and Mantarok (Satanica Productions). Then things went silent…
The story continues… After 2016’s Ordeal 26.04.86 (Cyclic Law), the fictional story based on Tomb Raider III, goes on with Celestial Fire. A meteorite did crash on the ancient / former tropical lands of what is now known as Antarctica. The ancient Polynesians who discovered the rock worshipped it as a deity, yet since their new-borns started mutating, they left these place, yet not before sealing the ancient meteorite into a cave, a dungeon, locked by four artefacts used as key.