I do remember that I did end my review for Malthusian’s debut demo (which was called MMXIII; (*)) with: ‘I NEED MORE! When can we expect a full album? SOON, I hope!’ Okay, to be honest, I did not remember this anymore – I just read it again a couple of minutes ago – but that is of no importance, haha. But I did mean it back then. I was craving for more, much more. Apparently, this Irish band had an EP in 2015 (Below The Hengiform, also via Invictus Productions), but it never crossed my path, unfortunately.
When Satan Maleficarium were put asleep, bass player Vixxer and screamer Necro decided to start a new outfit. Together with drummer Krilin and lead guitar player Cynic (Necro now does the rhythm guitars too), they formed Akelarre, which means something like ‘witches’ sabbath’ in the Basque language. This Mexican horde recorded some demonstrational recordings, and in their local scene, they gained a steamy live reputation.
The name ‘Aornos’ comes from a fortress in contemporary Pakistan, more or less ‘close’ to the Himalayan mountains and the Indus river. It was a fortified site known for the passing of Alexander the Great and his final siege (or at least one of the latest ones), some centuries before our modern era. It is the moniker as well for a productive outfit by Tatrai ‘Algras’ Csaba, a Hungarian multi-instrumentalist who is member of Frost too, and who used to be in bands like Carcharoth and Bornholm.
It is a very sympathetic thing to do, dearest Aleksey, to celebrate you 200thSatanath Records release by means of Panchrysia. Good idea, respect, haha!
Often it is a pleasure to experience the result of a collaboration in between two artists from the Drone / Ambient / Experimental / Noise scene.
Because I am quite thrilled by Sombre Présage, I heard about Occultum Productions, a label hailing from Lyon, a city in the South-East of France. And the first time when I was delving deep into their catalogue, I was so impressed. This label, unfortunately underestimated (but I will change that, haha!), houses several highly qualitative bands and projects – it would be stupid to list up some of them, for (almost) all of them a worth being mentioned.
Despite all melancholy and tristesse involved – see further – it is a pleasure to experience the Dark Aural Art created by an Australian woman, named Samantha Kempster. You might know her from her activities in (sadly defunct) Sydney-based Atmospheric Doom-Death act Myraeth (one of the better acts in their specific genre from Down Under, but unfortunately inactive since a couple of years). She has been working as well with bands like Rise Of Avernus or Inclemency, being a guest / session member on viola and / or violin.
I must say that I do not know that much bands, or projects, if you want to, hailing from the state of Alaska. But one of my faves for sure is this one: Common Eider, King Eider. This multi-artistic collective has created several highly interesting recordings in the past – with gratitude to e.g.
Well, when it comes to Cryo Chamber, I am very often enthusiastic about the projects involved and their releases. Some of the better Ambient artists release their material via this label. So does Atrium Carceri, which actually is the main project of the owner of Cryo Chamber, Simon Heath. With this project, Simon created some hands full of fine and stunning stuff in the past, always taken care of with eye for detail, diversification and soul.
One of the longest-living, and most influential, (Death) Metal bands from Cyprus is Vomitile, active since 2007. They have three official releases since then, the independently released EP Rotting Life (2010), the debut full length Igniting Chaos (Horror Pain Gore Death Productions, very early 2013), and Mastering The Art Of Killing (2014, Pitch Black Records).