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Manufactum III is another live-album (after I and II, but I guess you’re smart enough to find it out yourself), captured in front of about 8,000 wild fans during a gig in Hamburg, Germany.

Pros: wonderful sound! There is nothing that bothers when it comes to the sound. It is just like it has been registered in a few hundreds of takes in a professional studio, then enriched with the enthusiastic support of a couple of thousands of fans. Another pro: the instrumental part of the deal. My personal appreciation goes to the bag pipes and percussion parts

Murder Death Kill clearly explains what the band Mortillery stands for: thrash metal to the bone. Literally, to the bone, since they will definitely rip out your spine with their bone hard headbang provoking riffs.

Joel Grind did a jam session in the vein of the earliest efforts by his main band, Toxic Holocaust, in order to pay tribute again to the roots of Metal. The result is a twenty five-minutes ten tracker (intro and outro included) that honours the Old School, i.e. early Bathory (especially!!!), Motörhead, Kreator, Countess, Venom, Sodom and, of course, early Toxic Holocaust.

Finntroll are one of the leading bands from Finland when it comes to Folk-injected Extreme Metal. I don’t feel like re-writing the band’s biography or discography right here, because the web from a wide world has all information you might need.

Remember the gore ol’ times?...

This is such a band that defines the initial core of Relapse’s roster. Devourment, the one from Dallas, Texas, are known for their mostly uncompromising, mercilessly blasting Grind-edged Death assaults. They do it with conviction, with brutal power, with great craftsmanship. Yeah, oops, they did it again!

The French horde Destinity celebrated its fifteenth anniversary last year, entre outre with the preparation of album # 8, Resolve In Crimson. This record was recorded again with Jacob Hansen (!) and it features guest vocals by Stéphane Buriez, whom you might know from another great French Extreme Metal act, Loudblast.

Dawn Of Winter were formed in 1990 (!) as Cemetery, paying tribute to bands as Candlemass, Trouble, Saint Vitus, Witchfinder General, Black Sabbath etc. After a short period, the members did choose to change the band’s moniker into the current one, and at the same time they decided to change their style into the initial approach (tributing the gothfathers of Doom), mixed with specific own-faced structures. Dawn Of Winter were born…

My Kingdom Music is a label that confuses me time after time. They do balance in between extremes; at the one hand, you have a lot of quasi-poppy, modernised and/or happily Pop/Rock/Metal material, and the other extreme balances towards the most obscure, underground-oriented Black-edged evilness. When I need to review a new record, released through this Italian label, I’m always worried: will it belong to the first category, or rather to the second one (or somewhere in between both of them).

Originally released in 1998 through the very same label, Til Et Annet… was the second recording by Trelldom, a band with Kristian ‘Gaahl’ Espedal – think: Gorgoroth, Gaahlskagg, Sigfader, God Seed. Glad to hear it again, because it has been many years. Not because I dislike the stuff; on the contrary.

Totengeflüster (whispers of the Dead) were formed in 2007 by Totleben, who wanted to create his own interpretation of grim Black Metal with classical-symphonic elements. Soon he joined forces with a same-minded guy, Narbengrund, who wrote lyrics that did fit well to the music and ideas of Totengeflüster. Narbengrund takes care of the vocals too, by the way. And the line-up gets finally completed by Schattendorn, who performs the session drums (live as well).