Due to health-related circumstances within my family, I am working / I try to work away my delayed reviews for a label, or better, a cooperative of labels, that I adore for several reasons: the varied sonic approaches, the open-minded support, and last but not least, the wonderful guy behind these labels, Mister Aleksey ‘Satanath’ Korolyov. Anyway, whatever, thank you, and stuff…
Even-though it’s been more than a year, I will write several reviews on stuff released by GrimmDistribution (and the sister-labels involved) from ‘back then’. Mártír is one of those releases that does deserve any additional support by undersigned (for what it’s worth).
It was purely coincidentally that I came in touch with some friendly guy called André and a new project he started, called Landstrykar. …doesn’t matter how we ‘met’, but I was truly intrigued by what I heard. I’ll start with a small introduction.
(review for an older recording, released in 2020, but who cares – it’s all about aural art and sonic supremacy!)
The Nordic-styled genre might be one of the most ‘popular’ subgenres within the Black Metal scene (with exception of some pathetic semi-commercial Pop-Black trends, which make me puke’n’vomit; but that’s another story). Nordic-oriented Black Metal has its origins within the Second Wave and somehow remained true to the roots of the ‘general’ Black Metal scene.
I have been thinking about how to start this review, over and over again. The reason: both muSICKians involved – sorry, musicians, I mean. But after re-writing my introduction a couple of times, I thought it would just be fun / honest / easy / clear / whatever… Whatever… I’ll keep it simple and to-the-core…
It’s bizarre, but you know, this band was formed at the end of the first decade of this century / millennium. However, throughout all those years, the project didn’t really shine through all-capturing obscurity, with exception of one EP in 2015, being the two-tracker In Oblivion. That EP was released via Russia’s finest Endless Winter at the very beginning of Autumn 2015. That’s it…
Once again Aesthetic Death come up with a psychedelic thing, but once more it is not just ‘another psychotropic event’ going on, yet another unique, open-minded sonic session. This time Stu and his crew focused on the release of a split in between two acts from Russian soil, Megalith Levitation and Dekonstruktor. A small introduction might be of resignation.
I recently wrote a review on the stunning debut album created by Regiment VX, an expression of disgust and hatred against modern society, politics and the human kind in general. This project is the brainchild of Martin W Daniels, an English gentleman with his roots in the Power Electronics scene. In case of interest, if you want to read that (amazing, of course) review, see link below.
First this: since both projects involved on this collaborative album have been reviewed several times before by undersigned, I’m not going to give a full history / biography / discography on either Iran-based act Alphaxone nor Ukraine’s ProtoU. Let’s just say that both Mehdi Saleh and Sasha ‘Cats’ Puzan are not a stranger to the magnificent Cryo Chamber label, and this isn’t their first mutual effort either.
