I know that a new opus has been finished in the meantime (the compilation Forlorn), yet I sort of promised to write a review on the last ‘full’ recording, released at the very beginning of this year, called Kuumet. In Finnish Folklore,'kuumet' is the name for creatures that were believed to cause lunar eclipse.
There are a couple of reasons why I do appreciate the project Rojinski. First of all, I do appreciate the human being behind this project. The both of us seem to share some common ideas about ‘the world’, the human kind, hypocrisy, social media, the future, misanthropy; enfin, we’re not the only ones caring about our world and criticizing civilization and the human nature to destroy everything around us, just to satisfy our narrow-minded, selfish needs.
I will keep it short, yet I just needed to do this: writing down my thoughts on this split-album. Why? Because of the great Music and since it includes three projects that are sort of crawling out of the pits of oblivion lately.
This release is something I just needed to write down my thoughts about. It has two reasons: the concept and the aural result.
I do know that Salqiu did release a ‘new’ album in November 2022, but this review deals with the first part of the evil-twin sessions from hot, sunny, cheerful late Spring / early Summer 2022, Pariah. The second chapter of this diptych, if you want to, is called The Colossal Weight Of My Illusion…, and I might write a review on that one too, if I’m in a good mood. Who knows…
Quite recently I got in touch with a sympathetic human being from Argentinian soil, Leandro ‘Ăνδρος’ Pendino. Apparently, this guy has some projects going on, although I do not know which ones. …with one exception: Kasriel. It was this specific project that drew my (worthy, of course; haha) attention. Kasriel is the moniker of a Dungeon Synth project that released a first recording at the very end of last year’s Autumn.
[I promised a (female) friend of mine from Oceanic ‘soil’ to write down my thoughts on this release; due to circumstances I haven’t had the time / energy yet, but since I try to keep up my promises, at least to those people that deserve this… Better somewhat later than never…]
I will keep it short this time, even though I am reviewing a truly magnificent act with the fabulous moniker Idylls Of The Last King. This review deals with a kind of compilation, which is dedicated – not just morally yet also financially – to the Republic Pilgrim charity organization, which tries to help youngsters from (Ukrainian) soil who are homeless, who are drug-addicted, or who have run away from their current life situation.
One of the most productive Dark Ambient artists lately must be Alexei Rojinski, the human being behind the Rojinski-outfit. Throughout a couple of years, (t)his project evolved from a rather Electro-based one into an Ambient-oriented act, balancing in between societal subjects at the one hand and obscure / spiritual / … ones at the other. …and everything in between. I mean, conceptually in the first place, of course.
Even-though this guy from the French-speaking part of Belgium (Wallonia, the South of the country) is active as musician for about two decades, initially under the Planets Citizens moniker (rather EBM / Electro-Pop-oriented), I only noticed him about one year ago. It was under his moniker Rojinski that Alexei drew my attention.
