…another Metal of Death-release; is it a blessing, is it a curse? To be honest about this current trend, it can be both ways, but I think there is a positive supremacy. And an overload on same-minded releases may not influence one’s opinion, as long as the result is worth being listened at with appreciation and wonder.
Despite a ‘career’ of (apparently) more than seven years, Greek act Septuagint (in the beginning known as Declaration: Holocaust) now, finally, debut with the five-tracker Negative Void Trinity, having duration of twenty three minutes. The stuff deals, lyrically, with biblical themes (once again; Greece is, amongst so many other countries, submissive, even subservient to the naïve semi-Christian ‘truth’, but that is another discussion I do not want to launch right now, right here; another time, another opportunity would be fine, please!
Ormgard are a Swedish one-man project, created by Orm (aka Lord Thurisaz; also known from e.g. Myling, Wod, Tyrant etc.). Orm is also the guy behind Scythe Of Death Productions, the label that released Ormblot on tape in 2011.
Neige Et Noirceur are a fabulous one-man project by Spiritus, with three fabulous albums on its fabulous roster (amongst two fabulous ones done via the über-fabulous Canadian label Sepulchral Productions!), a couple of fabulous splits (with e.g. Monarque, Garden Of Grief a.o.), and a couple of fabulous EP’s / singles; sounds fabulous, not?!
Revelation is the first full length studio album by Malhkebre, despite about twelve years of existence. In the past there was a very limited demo-cassette, an EP (Prostration) and a split-EP (with Aosoth), and that’s it. At the other hand, the band built up a fine live reputation, having shared the stages with the likes of Hell Militia, Antaeus, Ofermod, Embrace Of Thorns, Deströyer 666 etc.
Four years after their debut full length Spiritual Rebirth, France’s Insain return with Enlightening The Unknown, an EP / MCD that was produced at the Italian 16th Cellar Studio (mainly known for recordings by Italian acts like Nefertum, Eyeconoclast, Fleshgod Apocalypse, Theatres Des Vampires or Hour Of Penance).
No need to introduce this band for everyone knows the elementary importance of Incantations. Check out the net or one of the reviews I did for this Kult-band on this site.
Golem are a pretty ‘old’ band from Germany, formed in 1989 as a Grind-combo, and despite limited activities, they never broken up officially (so, still active???).
Being part of the Concreteweb-team is both a blessing and a curse. At the one hand, I have the opportunity to listen to tens of excellent recordings each week (imagine, I’m still working fulltime too, and have a family to take care of), but sometimes our chief editor f*cks me by giving me stuff that is way beneath my intelligence. Brings me to this album, done by a label I always am careful with. Buil2Kill released some stuff I could appreciate a little, but most of their roster is not really my cup of poisonous tea.
Swiss act Exit was formed in 1995 by the Haller-brothers Martin and Stefan, Marcus Frei, Beni Sax and Thomas Kunz. In the earliest years, Exit did perform live a lot, but it took until 2001 before they finally released a first album (Bis Ans Ende Aller Tage); which, by the way, was received very positively in the Alpine countries.
