[In a series of somewhat shorter reviews, yet necessary and remarkable ones, from Satanath Records, GrimmDistribution and Symbol Of Domination Productions and their era 2020/2021, a (quick) one about Seeds Of Despair, the last recording by Swiss act Pure]
It would be a waste of time to spent my time and energy in writing a biography / discography about one of Portugal’s best known and most notorious bands. Personally, I do follow Corpus Christii as from their debut Saeculum Domini, more than two decades ago (though, I admit that I do not have all of their releases in my collection (yet), apparently). And now they have returned with a ninth full-length album after signing to Immortal Frost Productions, a Flemish label with a limited yet enormously cool roster.
This review deals with the sixth release in the dark-mythological Tomb series, ‘a dark exploration of the multifaceted entities of Sumerian mythology and the many dark places they inhabit. Places that still resonate with raw, ancient power’. This newest chapter invites the listener ‘to the dark realms of Mesopotamia, where over 5.000 years ago a civilization both physical and spiritual was founded’.
[brief review, yet based on another release from 2020 / 2021 that deserves all additional promotion, in a dedicated series about Satanath Records, GrimmDistribution, Symbol Of Domination Productions]
We’re all on the outside, all alone, and all doomed…
About nine years ago, two friends joined forces under the banner of Lichtblick. In 2015, founding members M. and A. and newly recruited musicians J. and D. recorded and released their debut, i.e. the independently released EP Feel Free To Lose Your Life. Some line-up changes happened, but with a renewed stable line-up, Lichtblick released their first full-length in 2018. Phrenesis too was independently released by the band itself.
Dark Isolationism Ambient… That’s how Trwoga does describe their aural art. And who am I to discuss this. When referring to their former effort, Hadefobia, I would describe it as ‘haunting and horrific Dark Drone / Black Industrial Ambient’, but it does not exactly matter.
The compilation Sounds Of Hell Series Volume IV is, indeed, the fourth one in a series compiled by Sounds Of Hell, a young yet deeply dedicational label from Flemish soil (the ancient-historic city of Diest, more specifically, in case of interest). The series focuses on lesser known and not that unknown bands and projects from the Benelux area (i.e. Belgium, Holland and, who knows, Luxembourg too).
[a shorter review in a series to promote releases from 2020 / 2021 and to support the labels involved: Satanath Records / Symbol Of Domination Productions / GrimmDistribution]
Existence is our exile. Nothingness, our home.
Francesco Di Stasio is the master(ly) brain behind the project Nihil Impvlse as well as the label Interitvs Nvmen – and now I feel like going directly, immediately to the content of this review: the magisterial album Blood Trails Of The Real by the project Filth Colossus. No time to waste; just focus on sonic supremacy…