[released on May 25th 2020, yet the scroll-down menu does not go back that far anymore...]
Recently I was listening to A Dark Shining Light again. It is almost exactly four years ago that this album got released. Since I did not write a review on this recording yet, but seen the fact that it is nothing but a masterwork, I will write down some of my ideas and thoughts about it.
I have to admit that I did not know the band Wardra. However, this act from Moscow did release a full-length in 2017, an EP in 2018 and a split with Logos (defunct in the meantime) in 2020. But it never came my way. Wardra was formed as a duo in 2016 and evolved throughout the years into a ‘real’ band (nowadays a quartet). Original member W (Vladimir Snegotsky) was part of the Aethyr line-up too, and collaborates with Majestat.
(probably one of my shortest reviews in years - but then again: so what???)
No need this time to introduce this Iranian project by Mehdi Saleh, nor the long-time label behind it. I go over to the sonic content of the album immediately. I’ll be brief and concise.
Ominous Sounds is a meeting space between artists passionate about dark ambient and ritual sounds. Interested in the ancestral and the ominous. This introduction drew my attention a short while ago. Shortly after, I got in touch with Juan Carlos Toledo, the very sympathetic and kind guy behind this totally new label from Spanish soil.
An ‘older’ release, but who cares?...
Acoustics Of Shadows is a collaborative work of two persons who do know each-other well (no further comment), yet above all, it’s a mutual work by two beautiful, sympathetic people with a cool vision of / on sonic finesse. Both Oleg and Sasha are known for their subtle yet intriguing recordings, and this mutually recorded effort strengthens their connection.
[review for an older release (November 2022) yet of such high qualitative level]
This review does not deal with a new recording. It’s all about a physical re-release of an album from just a few minutes ago (ironic-looking smiley included); a release by an act that might be, for what it’s worth, one of my personal greatest surprises / experiences lately: the Brazilian, or is it Canadian, outfit Móđir, curated by Lady IO.
Location: Singapore
Members: Andi (the talking that accompanies the dead into the Lahad = lead vocals) / Khairil (the emptiness upon excavation of Kubur = all guitars) / Edi (the embedding of the Nisan = drums & percussions)
Formed: 1991-1993 / 1999-now
Recorded: at Studio 47 by Nizam Aziz
Artwork: Armaada Art (Andreas Christanetoff)
Format: jewel-box CD with twelve-page booklet & digital
Edition: 1,000 copies
Location: Ukraine
Members (sort of anonymous): M. (guitars) / J. (drums) / V. (bass) / A. (vocals, synths)
Mix / recording studio: Forest Den Studio
Artwork: Hellcatfairy Art (logo: Paint-It-Black Design)
Type: jewel-box with eight-page booklet
Edition: 500 copies
Duration: 37:29 minutes
Genre: Second Wave Black Metal
The power of the will directs the destiny. And so, in the perpetual cycle of life and death that defines the tragic fate of the human, a gloomy epilogue can unexpectedly lead to an auspicious prologue…
