Indesiderium are a two-piece from Los Angeles, California, formed in 2012 by vocalist / lyricist / bassist / guitarist / composer Atrum Lorde aka Atrum Abbas, and drummer / keyboardist / mixer / master Mattias ‘No-Body’ Snyder (both of them were colleagues in Gravespawn for quite some time, for your sweet information). They officially debuted in 2015 with the full-length Wanderer Of The Abyssal Plains (self-released).
The Polish Black Metal scene might be (one of) the ‘richest’ from Eastern Europe, I think, so there might be an impressive amount of qualitatively high-standard bands dwelling around there too. And one of the top acts – at least, this is my personal opinion, for what it’s worth – is this one: Gurthang. In essence, it is the brainchild of one A.Z.V. aka Azathoth, whom you might know as well from, for example, Cosmic Despair, Beyond Life or Azathoth (defunct in the meantime).
About one year after the grandiose recording Particle Void, also released via mighty Cryo Chamber, the duo Martin Stürtzer and Christian Stritzel return with their fourth masterwork. It was a coincidence, or a prophetic omen, but the day before label owner Simon Heath did send me this album’s download link, I had listened to Particle Void once again because I just felt like. Karma or not, but it made me aroused for some (understandable) reason.
Phil Illsley used to be the lead vocalist in Lordaeron for several years, and he’s involved with bands such as Taken By The Tide or Death Tripper too. But as A|V, he recently started the project Abduction. This solo-outfit is modestly productive, for Abduction recently released a new full-length album, the third one in nearly two years. The working title of that recording is All Pain Is Penance.
For sure being one of my favourite bands from the Middle-East, From The Vastland actually hail from Iran, although band leader Sina lives in Norway nowadays. The guy started this outfit in 2010 and throughout almost a decade of existence, he wrote and recorded some very nice stuff. From The Vastland debuted in 2011 with Darkness Vs.
It is a very sympathetic thing to do, dearest Aleksey, to celebrate you 200thSatanath Records release by means of Panchrysia. Good idea, respect, haha!
I remember being extremely happy – no, I’ll start all over again. Happiness has been disbanded, banished from my personal mental sanity. So, here it is… I remember being extremely aroused when I heard the album Hexkonst by Finnish horde Ondfødt more than four years ago. I received the album from Immortal Frost Productions’ chieftain S., and this very same guy / label takes care of the release of sophomore full length Dödsrikets Kallelse.
Once in a while, you just get blown away by a (new) release that offers something unique, promising, magnificent. Well, did you have the opportunity to enjoy Tacent Semitae, the 2016 debut by international act Adaestuo? Indeed, that’s what I mean with getting blown away. It isn’t just Black Metal that this trio performs. This goes way beyond the ‘orthodox’ borders of that mighty muSICKal style called Black Metal!
20 years in mean time, this Dutch Thrash band has climbed up to the highest regions of the international scene. Now, finally, after several years of silence, they return with their fifth full length, The Ferryman’s End, once again via France’s Listenable Records. It got recorded at the famous Soundlodge Studio and lasts for forty-two minutes (I know, a very short introduction, but since their ‘popularity’, you will find everything you want to know on the net).
This release is a split in between two projects that wander within the darkest netherworlds of occultism. The material gets released both digitally as on compact disc, be it in three different - and strongly limited, so hurry - editions. One of them even includes a t-shirt!