For more than a decade, Gôr Mörgûl dwell around to bring us their message of blasphemy and black magic. With Elohim, this band from Sardinia, Italy, brings forth their third full length opus, continuing the path they started in 2010 with In The Sign Of Blackness, followed by the EP Ruins Of The Icons Of God (2014) and the second full album, Heresy (2015). One again we had to wait quite some time, but Elohim might be worth waiting for so long.
Death Portal Studio
Well, this was something I did look forward to so passionately! When Aleksey Korolyov told me there would be a new Abigorum album, I couldn’t wait to listen to it. I was (and still am) very impressed by all former material he created under this moniker. But there was more. Apparently he did not create this album on his own anymore. No, this time he co-operated with some other musicians, turning Abigorum from a solo-outfit into a real band.
…hope I didn’t scare you. But please continue reading – consider it a warning – for this split might scare you off for sure!
Two weeks ago, I posted a review on the re-release of the Striborg recording Spiritual Catharsis, originally released in 2004 and now re-issued by a partnership of Satanath Records and Death Portal Studio (see: http://www.concreteweb.be/reviews/striborg). So, I am not going to write a new full introduction on this Tasmanian one-man horde, but I’d like to refer to that recently published article.
From the bleak, Arctic soil of New Mexico hail Aetranok, a quintet that started earlier this decade. At the very beginning of 2014, the band released a first album (on compact disc), Grande Invokation, via Colorado-based Death Portal Studio, re-released a couple of months later, also on CD and digitally, through Senseless Life Records from the U.K. (nowadays known as Sepulchral Silence).