Hass Weg Productions

Sacred Dominions

One of the many (solo) outfits by English gentleman Nox, here known as Shadows, is called Sacred Dominions. You might recognize this guy as well from projects like the productive duo Wolves Eyes, sadly defunct Forest Grave, Sinisterite (which also includes Molestor Kadotus and Shatraug; unfortunately put on hold), Martial Dungeon Synth act Folcriht or Dark Autumn, amongst several others.

Demonic Slaughter / Aryman

I have never hid my appreciation (I was about to call it ‘passion’, but that sounds way too, eh, friendly, does it not) for the Polish (Black Metal) label Lower Silesian Stronghold. This label might have a specific philosophy, but from sonic point of view – or better: point of listen – they do house some excellent bands on their roster; and therefore some great releases too.

Catacombes

French musician Antoine Guibert aka Le Démoniaque surprised me enormously with 2017’s album Le Démoniaque, which got released via one of my mostly appreciated labels from France, Hass Weg Productions, under the flag of Catacombes (which is French for - and now you smart-ass will be surprised - ‘catacombs’ indeed!). So, it did somehow please me when R. from Hass Weg Productions did send me a successor to that debut full length album a while ago.

Severe Storm

Hailing from Silesia, Poland, Severe Storm is an outfit by Kolan, whom you might know from bands and projects like Antisemitex, Odour Of Death or Defenders Of Europe, amongst some others.

Ohtar

Tolkien freaks will recognize the name ‘ohtar’ as being an esquire of King Isildur, who brought the broken pieces of the king’s legendary sword to the elfish city of Rivendell after some cowardly attack. But it is the name as well from a Polish band which was formed more than two decades ago. Ohtar, the band, recorded some demos and split contributions during the late Nineties and the early 2000’s, and in 2003, Supreme Art released the impressive debut full length album When I Cut The Throat (re-released afterwards on vinyl and tape).

Chadenn

[since the scroll-down menu does not go any farther than 2017, you can't see the actual release date, but this album saw the light, sorry, unlight, in 2012]

I have no idea whether Chadenn are still active, or whether they did split up. In each case, they did not release anything anymore since 2012 – and it’s that release that this review will deal with. Why reviewing such an old recording? Well, it is never too late to promote or support older stuff, in honour to the band or, like in this case, to the label involved.

Funebre Devastation

One of the many things I like on Polish label Lower Silesian Stronghold is their quest for new ‘talent’. On their roster, they house quite some artists / projects / bands that are sort of eternally related to each-other. This loyalty is remarkable and must be hailed. Yet then again, Lower Silesian Stronghold do not mind giving opportunities to completely new acts either. And what’s more, artificial boundaries are neglectable.

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