Scaphandre are the brainchild of a Frenchmen who calls himself Spasme. He formed the project in 2011 and one year later, Scaphandre self-released two EP’s, one at the very beginning of that year and one at the end of 2012. I will review both of them. First this. Both of them were originally self-released, but now they will be re-issued via Misandreproductions.
Saor (which is Gaelic for ‘free’) is a project by Andy ‘Tuagh’ Marshall, whom you might know from his previous collaboration with, for example, Falloch, Concept Of Time, In Vino Veritas or Askival. Initially Saor were called Àrsaidh, for your info.
This time I am not going to spent too much time on the introduction of a band / project (the latter, in Raventale’s case), because 1) I am too lazy right now (not really, but I just wanted to make a statement) and 2) this is a review that deals with a compilation and not a ‘real’ recording. So I’ll keep it short: Raventale rules!
I was little confused when Nele, the nice lady that takes care of Consouling Sounds’ management and promotion (she also runs the renewed store in Ghent, and is in charge of the organisation of different happenings, like a non-ignorable presence at 2014’s edition of the famous Incubate (and FYI: Consouling Sounds will record the performance on that ‘festival’ of Nadja, and release it soon after on vinyl; something to look after!)), offered me an EP by Nordmann.
Swiss act Excruciation was formed at the end of the first half of the eighties, and therefor they are one of the protagonists of the (Swiss) Extreme Metal scene. They recorded and released several demonstrational recordings, but unfortunately things came to an end in 1991, without this band being capable to record / release anything decent at all (an EP excluded).
After he left Firstborn Evil at the end of last century, Jorge ‘Sacerdos Magus’ Magalhães formed Antiquus Scriptum. He had some ideas for quite some time that didn’t quite fit to the style of Firstborn Evil, so he took the decision to leave in 1998 and start his own (solo) project. After the recording of some demos, he signed to Ophiucus Records to release the Antiquus Scriptum-debut Abi In Malam Pestem in 2002.
Headhunter D.C. (‘d.c.’ is the abbreviation for ‘death cult’, by the way) are an ‘old’ band from Brazil, originally formed in 1987 (!). They were pretty active (and ‘popular’) during the first half of the nineties, with the release of two long players (on vinyl), Born…Suffer…Die (1991) and Punishment At Dawn (1993). Both of them came out via Cogumelo, the most important label from South America, at least in the early years of Extreme Metal. Then things went silent for quite a long period, though the band was still active.
A couple of years ago, the avian influenza gave me hope. Since I am an animal-friend, I am not talking about the birds that could die. No further comment, but let’s say it seemed to be a solution on the sickness called humanity, and the over-population of homo sapiens-masses…
Anyway, avian or bird influenza is also known as the H5N1-variant of influenza type-A, a virus that could have caused pretty nasty things (but it did not, for the WHO was too kind to, etc…) ;-(
It is not the first time that I will review an album by a band or project from an ‘unusual’ country – think United Arab Emirates (Nervecell), Maldives (Sacred Legacy), Saudi-Arab (Al Namrood), Jordan (Relics Of Martyrs) or Iran (Margg). In my personal collection, by the way, there’s more stuff from those countries, as well as the likes of Bangladesh, Kazakhstan, Kirgizia, Bahrein or Lebanon.
Tim ‘Sorrow’ Yatras is one of Australia’s most active guys within the Music-scene, with activities ranging from Pop, Pop-Rock and Electro-Pop to extremer sides of aural pleasure, such as Doom and Black Metal. I won’t go over the Pop-related stuff, but heavier acts he’s involved with, and which you might know, are Pestilential Shadows, Austere, Woods Of Desolation (as session member), Germ, Battalion or Grey Waters, amongst tens of others.
