Prelude To Perversion is the debut full-length by the German duo Blasphemous Putrefaction. However, they did surprise (at least, this goes for me) with their EP Festering Plagues at the very end of 2019 (Death In Pieces Records).
Our dear friends from Brahmastrika return with a new EP, easily called Abhabaniyastral Samsarimplication (if you can spit this title out for five times without hesitating, I’ll give you a well-deserved thumbs-up). Okay, we do not expect to have a new release with a simplistic title by this India-based act, seen their former one being called Excarnastrial Commencination (this demonstrational recording, by the way, has been re-released via the band’s current label and might be reviewed too by undersigned in some near future).
Two years and a half after their debut Blood Oath, Dunkelheit Produktionen do release the sophomore full-length album With Hoof And Horn by Flemish act Rituals Of The Dead Hand, part of the sweet collective The Nox Entity. This band was formed in 2016 by Hemelbestormer members Filip ‘Lykaios’ Dupont and Frederik ‘Isangrim’ Cosemans.
I do not have the intention to go way too deep into this release’s core, but still I will write down some ideas and thoughts on it, because of 1) the label behind it and 2) the material itself. Let’s start with the label. Dunkelheit Produktionen is a label that I do follow as from 1867 or so. Okay, that’s somehow exaggerated, but this label never disappointed me in the past.
Yeah, when you like it the filthy way, Goatblood will surely please your nastiest desires. This choir was formed ten years ago by D. Janssen aka Satanic Death Vulva (also active in e.g. Blasphemous Putrefaction, Genocide or Nacht) and Reverend Slayer (of Morannon fame).
I do like Dunkelheit Produktionen a lot for two reasons: the very sympathetic guy behind the label (big hug to you, Bernd), and their great roster. The label has a lot of excellent Death and Black Metal signings, and since I am a ‘fan’, and so on…
I was not sure about how to start this review. I would focus on my appreciation for Dunkelheit Produktionen’s roster, since I am a ‘fan’ of Extreme Metal for, well, some decades. And then I would refer to the open-minded approach of this label for they do sign, and release, material from other (related) genres too.
Finnish artist Juho Huuskola aka J.H. did form Shades Of Deep Water almost fifteen years ago as a solo-outfit to canalise his negative and isolationist ideas and thoughts about humanity, cosmos, reality and evolution. During the second half of last decade, he released some demonstrational recordings and one official EP, eventually followed by a first full length studio album, Waterways (independently released at the end of Summer 2013 on cassette).
When composer / guitarist David ‘HellRazor’ Meza and bass player / vocalist Maria Alejandra ‘Blasfemia’ Pacheco Zambrano started playing under the moniker of Lucifera (it was somewhere in 2008), they did play cover songs in the first place. Everything from AC/DC to Metallica, or from Rock Goddess to Motörhead passed the revue. Yet soon, the band started writing, recording and playing self-written stuff.
The history of Grimoire De Occulte goes back to the very beginning of this decade. Bernd, the guy involved as drummer in bands like Nacht or Lost, and the same person who runs the Dunkelheit Produktionen label, created this outfit to focus more deeply on aspects like occultism, afterlife, dreamworlds and rituals.