Hailing from Rome, Italy’s capital city, Invernoir is quite a young band that includes current and former members of e.g. Ars Onirica and Black Therapy. As a quintet, they independently released a three-track EP in 2018 (actually three tracks and an outro, to be honest), aptly titled Mourn – a title that surely points the musical direction where we have to define this band. After a few line-up changes, the band decided to enter the studio in order to record their debut full-length.
Haissem is a solo-outfit by some Andrey V. Tollock, whom you might know from another one-man army too, i.e. Doom-Death project Sunset Forsaken. Haissem however is more productive and diverse, and throughout six years of existence, more than a handful of somewhat differing recordings got released. Amongst those last year’s Kuhaghan Tyyn, available physically via Saint-Peterburg’s Satanath Records.
A short one, yet one way too important not to pay attention to…
This review does not deal with the band Hadopelagyal from the German city of Leipzig, yet with the band Hadopelagial from the German city of Leipzig. Confused? Well, when I did receive two releases at around the same moment, both by a band from Leipzig with (almost) the very same name, except for one single letter, I was sort of confused as well.
This time I am not going to give a ‘full biography’, for I’d like to refer to one of the other reviews I did for this Swiss project (links below) or, for additional info, for any other review I did for several other projects that involves Monsieur Sergio ‘Bornyhake’ Da Silva.
The history of Hungarian band Eclipse Of The Sun goes back to the very end of this century’s first decade. Hailing from the city of Székesfehérvár (close to the Balaton lake, appreciated enormously by undersigned for its fine winery – egészségére!), as a five-piece they did create a first untitled demonstrational EP, soon followed by Symbols, consisting of four new tracks. Several line-up changes followed throughout the years, but in 2015, the band came up with their first official full-length album, Daimonion (independently released).
Ah, sometimes it is truly fine to get confused in a positive way. That’s exactly what happened to me when Aleksey from Satanath Records (amongst others) informed me about the debut of the project The Malice. I have to admit that I did not know this entity, but apparently it’s a pan-European collaboration of two famous and experienced sweeties.
How many extreme bands do you know from Kazakhstan? I have to admit that my knowledge was limited to just a handful of acts from out there. But I do follow for some years is SevenSins, originating from the far East of this immense country, quite close to the Russian Federation and not that far away either from China or Mongolia. Anyway, this band started as a Death Metal oriented act at the end of this century’s first decade, and throughout these years they released three full-length albums and one EP.
The origins of From The Vastland are rooted in Iran, the birthplace of founding member Sina. Iran actually has an extremely small yet enormously interesting Black Metal scene, but breathing ‘Iran’ and ‘Black Metal’ in one gasp is not always that evident. Some acts therefor remain in anonymous spheres, but in the case of From The Vastland, Sina took the decision to move over to Norway. For more information about this story, check out the .net or the information in some of my previously posted reviews.
Armenia-based (Funeral) Doom label Funere once more comes up with a unique piece that twists with atmospheres and emotions. During its young existence, this label did release just a limited amount of things, but without exception all of them are quite unique in approach and professional in essence. Quite the same, evidently, goes for this debut recording by a mysterious Icelandic act.