The Russian outfit Ethir Anduin was formed about fifteen years ago (2006) by some Alexey Veselov aka Fenrir. He’s also in Bestial Deform and very recently he joined Atra Haeresis. Throughout the years, Ethir Anduin did release more than a handful of full-lengths, quite some EP’s and some digital singles. I have not always been the biggest ‘fan’ of this act, yet as from a couple of years, the evolution is remarkable; at least, that’s my personal opinion, for what it’s worth.
Due to health-related circumstances within my family, I am working / I try to work away my delayed reviews for a label, or better, a cooperative of labels, that I adore for several reasons: the varied sonic approaches, the open-minded support, and last but not least, the wonderful guy behind these labels, Mister Aleksey ‘Satanath’ Korolyov. Anyway, whatever, thank you, and stuff…
Even-though it’s been more than a year, I will write several reviews on stuff released by GrimmDistribution (and the sister-labels involved) from ‘back then’. Mártír is one of those releases that does deserve any additional support by undersigned (for what it’s worth).
Hailing from Rome, Italy’s capital city, Invernoir is quite a young band that includes current and former members of e.g. Ars Onirica and Black Therapy. As a quintet, they independently released a three-track EP in 2018 (actually three tracks and an outro, to be honest), aptly titled Mourn – a title that surely points the musical direction where we have to define this band. After a few line-up changes, the band decided to enter the studio in order to record their debut full-length.
Haissem is a solo-outfit by some Andrey V. Tollock, whom you might know from another one-man army too, i.e. Doom-Death project Sunset Forsaken. Haissem however is more productive and diverse, and throughout six years of existence, more than a handful of somewhat differing recordings got released. Amongst those last year’s Kuhaghan Tyyn, available physically via Saint-Peterburg’s Satanath Records.
A short one, yet one way too important not to pay attention to…
This review does not deal with the band Hadopelagyal from the German city of Leipzig, yet with the band Hadopelagial from the German city of Leipzig. Confused? Well, when I did receive two releases at around the same moment, both by a band from Leipzig with (almost) the very same name, except for one single letter, I was sort of confused as well.
This time I am not going to give a ‘full biography’, for I’d like to refer to one of the other reviews I did for this Swiss project (links below) or, for additional info, for any other review I did for several other projects that involves Monsieur Sergio ‘Bornyhake’ Da Silva.
The history of Hungarian band Eclipse Of The Sun goes back to the very end of this century’s first decade. Hailing from the city of Székesfehérvár (close to the Balaton lake, appreciated enormously by undersigned for its fine winery – egészségére!), as a five-piece they did create a first untitled demonstrational EP, soon followed by Symbols, consisting of four new tracks. Several line-up changes followed throughout the years, but in 2015, the band came up with their first official full-length album, Daimonion (independently released).
Ah, sometimes it is truly fine to get confused in a positive way. That’s exactly what happened to me when Aleksey from Satanath Records (amongst others) informed me about the debut of the project The Malice. I have to admit that I did not know this entity, but apparently it’s a pan-European collaboration of two famous and experienced sweeties.