The origins of Triple Sun go back to 2011, when Katia & Marielle Labeque’s Minimalist Dreamhouse were conquering the city of London in a couple of nights. Massimo, David and Raphaël joined forces to play as session musicians at London’s King’s Place with the Labeque sisters, and they decided to go on, or at least to try out something together. This transformed, slowly but surely, into the organic entity called Triple Sun.
Wolfshade Records are a (small) label from the city of Rivne, in the North-West of Ukraine (not that far away from the borders with Belarus and Poland), known for releases for bands such as Tyrania, Sea Of Despair, Ethir Anduin, Fabiant, Mettadone, Poezd Rodina or Mortalium.
In the grim darkness of the far future there is only WOOAAARGH! ``!;,,;!´´
After Womb Eater Wife Beater and Somewhere Over The Painbow, 30.000 Monkeys, hailing from Beringen, Limburg, Belgium, and named after a band that did clearly inspire them, Lightning Bolt, return with another piece of total yet enthusiastic absurdism, called I Ate Myself To Grow Twice As Big. It gets released by our own Consouling Sounds on both compact disc and vinyl (12” long player) and it lasts for just over forty minutes.
Das Lächeln, Deinerseits is the third collaboration on Consouling Sounds that was created especially for this Flemish label’s inception celebration (their self-developed so-called Consouling Split Series). After a co-operation in between Gnaw Their Tongue and Alkerdeel, and Vanessa Van Basten with Hemelbestormer, now it’s time for Viscera/// joining forces with N.
Jose Murcia is the guy who runs Craneal Fracture Records, a label specialized in Noise, Power-Electronics and more of that sonic terrorism. Probably, in a near future, there might be some reviews for releases on that Spanish label.
Flamen are a young outlet by Italian instrumentalist Bartlett Green, whom you might know from his co-operation with Warnungstraum especially. Bartlett wrote some material which he would record professionally, and since he was looking for a ‘singer’ that would vocally fit to his ideas, he contacted Aryan Art’s Alexander Ivanov.
Superbia – avataria – luxuria – invidia – gula – ira – acedia… Who is not craving for all these pleasures of life?... And if you take the first letter of each sinful joy, you’ll have ‘saligia’, which is the name as well for a project by Ghastly. At the end of last decade there were some demonstrational recordings, amongst which the promotional demo Sic Transit Mundi, and under the very same title, Norwegian act Saligia released a first vinyl album in Autumn 2011 via U.K.-based label Barghest.
It would be a waste of time, taking too much energy from my laziness, to introduce Raison d’Être, which is probably the best known outfit by Peter Andersson. I am sort of possessed by this project as from the release of Prospectus I, though not every release that followed could totally please me. But in any case, Raison d’Être are highly influential (so are many of Peter’s outfits).
One year after the debut, French duo Cepheide (Gaetan and Thomas) returned with a new album, which consists of two (extremely) lengthy tracks: seventeen and nineteen minutes respectively. The sophomore album was an independently released digital record (July 2015), which was followed in September 2015 in cassette-edition. And now we can enjoy the CD-version too, which has been made available at the very end of November 2015 by Ogmios Underground.
