Ivan Tibos.

Electric Sewer Age

I was quite surprised when I read the biography of Electric Sewer Age on some forum. Apparently this project nowadays run by Danny Hyde, indeed the guy behind e.g. Coil, Psychic TV or Aural Rage, was created by the Coil-fan John Deek in 2006, soon after joined by colleagues (deceased) Peter Christopherson (Coil, Throbbing Gristle, Psychic TV) and aforementioned Danny Hyde.

STABB

Arsenic Solaris is the name for a new label by Arthur Arsenne, who runs Death Carnival Records too (as from February 2016, I did write and upload a handful of reviews for material that got released via this French Noise / Drone / Ambient-label).

Vorbkt

Vorbkt are a one-man outfit from the windy South-East of Canada, where the Atlantic crushes and smashes upon the shores of civilization. The guy behind the project (-z?) started this project in 2011 and since then he recorded and released two hands full of stuff, especially independently released.

Izegrim

20 years in mean time, this Dutch Thrash band has climbed up to the highest regions of the international scene. Now, finally, after several years of silence, they return with their fifth full length, The Ferryman’s End, once again via France’s Listenable Records. It got recorded at the famous Soundlodge Studio and lasts for forty two minutes (I know, a very short introduction, but since their ‘popularity’, you will find everything you want to know on the net).

GoatChrist

GoatChrist is the name for a very young outfit by a very young guy (born during the second half of the nineties) who calls himself Dominator Xul’Ahabra. This guy did perform or still performs under quite some other monikers in bands and solo-projects such as Rancid Entity, Lord Andras / Mundus or Mors Voluntaria a.o. With GoatChrist, he did release a handful of smaller recordings, amongst which The Epic Tragedy Of The Cult Of Enlil, which was digitally released in January 2015.

Mitantecuntri / Lands Of Conifer

Arthur Arsenne aka A.Arthur is a ‘famous’ musician within the Drone / Ambient / Experimental / Improvisional scene, as well as the owner of Death Carnival Records and the new label Arsenic Solaris. For both labels I did some reviews lately, as well for some of A.Arthur’s projects, such as L_Arsenne, Arsenne + Cisak + Oleksinski or Lands Of Conifer.

Lifestream

Young formation Lifestream hail from the Bordeaux era, one of my preferred regions when talking about rich French wines: Saint-Estèphe, Margaux, Pomerol. But this isn’t an oenological essay but a (serious) review on the band’s first official release, called Post Ecstatic Experience. The band consists of members from e.g. Demented and Otargos and they recorded (+ mixed and mastered) this debut at the Darkened Studio.

Halsfang

It was at the end of last decade that Balkor (the Toulouse-born guy involved with e.g. Pestiferum, Mourning Forest [(1)] or Caterva Runa) decided to start a new project in order to focus even deeper on the whole Old School current we all adore. So he started writing new material under the Halsfang-moniker, and step by step the realisation of an album transformed into a final stadium.

Sete Star Sept / Anxiety Disorder

Legs Akimbo seem to be one of the most ‘outstanding’ labels when it comes to splattering and grinding sonic filth. Just click on the label’s name and you’ll get access to some reviews of other perverted reviews I did write for this UK-based label. Completely in the vein, in the spirit of this specific trend, quite a lot gets released on vinyl, of course. This goes as well for the split with Japanese combo Sete Star Sept and Belgium’s finest Anxiety Disorder.

Blåkulla

Blåkulla are an outfit by a French guy who calls himself Surtr Blackmoon Emperor aka S.B.E. (sometimes also active as Sveigdir Bölverks Einherjar). He released two recordings before, Darkened By An Occult Wisdom in 2011 and the EP Hymns To The Past Glory in 2013. Now he returns with his second full length, which gets released in an edition of 1,000 copies via Lower Silesian Stronghold, the label of Dark Fury’s band leader K.

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