Absolutus are an act from the French-speaking part of Belgium (Liege, to be more specific), known for their releases with Latin titles. They have been extremely silent for more than seven years, but now they did return with their second full length, called Pugnare In Iis Quae Obtinere Non Possis. It was recorded at the Blackout Studio and it has a total running time of thirty three minutes. And I can, and will, be very limitedly focused right here.
One of the many projects with Mark Riddick is Fetid Zombie. In a very near future I will write and upload a review on the Sepulchral Voices LP, which includes four bands / projects, amongst which Fetid Zombie. But that’s for one of the next days / weeks.
Moscow-based Ephemeral Ocean are quite a young band, formed in 2013. In April 2014 the band self-released a demonstrational MCD / EP, Honour In The Mask, and after some line-up changes, they did enter the studio again to record their debut full length. The result, by the way, was mixed and mastered at the famous Priority Recording Studio by nobody else but Esoteric’s Greg Chandler (!).
Celtic Dance are a Portuguese band formed two decades ago by Laldaboath, Tzaboath and Conquerer. After the recording of the 1998-debut Ancient Battlecry, Laldaboath and Tzaboath decided to leave, but Conquerer continued his activities with Celtic Dance. FYI: the re-release of that strong debut album was reviewed by undersigned and posted on this site on July 13th 2014.
Despite about eight years of existence, Ukrainian outfit Sidus Mortuorum has been low-productive in releases. After a demo in 2009, they came up with their debut album Endless Funeral (Nocturnus Records, 2010), and a second one in 2012, called Coffin Slaves (independently released the digital way) – oh yes, there was a single in between both albums.
Like many Moloch-releases (a couple of hundreds), Verwüstung too has been re-released, re-re-released and re-re-re-rereleasedreleasedrereleased several times before. Actually, I wrote a review for this specific album, one of the CD-editions, for the re-release on Hidden Marly Production – see update June 7th 2015.
Italian Grind-combo SBS aka SpermBloodShit did satisfy our perverted ear drums more than once in the past, and all sick-minded amongst us will be pleased to welcome this newest vinyl-effort with open arms! Grinding Under The Influence, well, the title says it all, so here ends my review. Enjoy…
Ius Vitae Necisque is the third result of an unholy marriage in between Tasman-based act Atra Vetosus and Belgian label Immortal Frost Productions, after 2011’s A Palace Shrouded In Emptiness and 2013’s Voices From The Eternal Night (a review for that release, by the way, was put online on September 9th 2014).
When Maëror Tri decided to split up almost two decades ago (and still my tears haven’t completely gone yet), two of the members, Stefan and Martin (aka Baraka[H] and Glit[s]ch), decided to continue their collaboration under the moniker of Troum. ‘troum’ is an old-Germanic word for ‘dream’ (Traum in modern German), and they did choose this moniker specifically to focus on the experiences of the past, knowing that there will never be a return.
Rein were (I use ‘were’ instead of ‘are’, for the band disbanded after the release of their sole full length album, which this review will deal with) – so, they were a five-piece from the Auvergne-region in France, focusing on the heritage of Pan-European tradition(s) and the glory once floating over European soil.
