One year and a half after the Arrival Of The Tyrant-EP, Spanish duo Lurking Evil (drummer Nico ‘Guldur’ Morales and bassist / guitarist / vocalist Orlok) return with their debut full length, The Almighty Hordes Of The Undead. The album lasts for almost forty minutes and consists of twelve titles.
Lauxnos are a new solo-outfit by Kirill ‘Katharos’ Andreevich, whom you might know as well from, for example, Emptiness Soul (a couple of months ago, and with sadness as result for undersigned, they announced to stop all activities under this name), The Happiness Cage, Hyperborean Frost or Epitaph Of Life.
This will be a short / quick one: five-piece Karne (craving for a piece of bloody meat right now too?...), hailing from France (line-up: founding member and vocalist Eingeweide, drummer Bael, guitar players R. and H.K.A., and bassist Hraesvelg), finally release their debut full length, the first official release after the 2012-demo MMXII (extremely original, not?...).
Inner Missing were formed under the moniker Odium in early 2008. Back then they were a duo. Soon after, they changed their moniker into the current one, and they evolved into a real band. Throughout the years, Sigmund and his crew recorded several full lengths and EP’s / singles, and their style evolved from old schooled Doom-Death into a more experimental form of (Traditional) Doom Metal. That evolution continues with Defeat, Inner Missing’s fourth studio full album.
I know a couple of bands named as ‘Horrified’, but this review deals with the UK-based one, an act with former or current members of e.g. Plague Rider, Winds Of Genocide and Risen Prophecy. In early 2013 they released a (first?) demo, and now they debut with Descent Into Putridity, an expression of the old styled filth we all felt in love with two, maybe three decades ago.
Exactly three years after the debut album Odium, Russian act GodHater return with the sophomore full album, Blasphemia. This time Belial (bass / vocals) and Sagoth (guitars) were joined by session drummer Roman ‘Yog Sothoth’ Grigoriev (known from Pseudogod and Act Of God) after former drummer Spike left.
This new Ewigheim-album is to celebrate the project’s 15th anniversary. For a discography and biography, I’d like to refer to the reviews I did for the former recordings, Nachruf (see update January 6th 2014) and Bereue Nichts (posted on October 31st 2012, available within Concreteweb’s Archive).
I’ll be very short about this release. Devilment were formed by Daniel Finch in 2011. Since he was looking for a singer that could fulfil his ideas, he contacted his friend Dani Filth, you know, that pretty boy from Cradle Of Filth, who immediately agreed to co-operate. After Dani finished his part for the Cradle Of Filth-album The Manticore And Other Horrors, he did the vocals for the Devilment-demo Grotescapology.
Jayn Hanna Wissenberg started the solo-outfit Darkher after she did put her former band The Steals on hiatus. She wrote and recorded three tracks that would eventually be self-released, untitled and in an edition of 100 copies only (I guess it was via her own Faun Records-label, which also released The Steals-material), but the stuff was too good to stay so extremely limited.
Cemetery Filth are a band that were formed in early 2014, but immediately they do impress a lot. And with ‘a lot’, I mean a lot! The quartet, i.e. vocalist / guitar player Matt Kilpatrick, drummer Jonah Turner, guitarist Ryan Guinn, and bassist Neal Williams, recorded their part at different locations and at different moments, since they live in different areas in North-Carolina, Tennessee and Virginia.
