Ivan Tibos.

The biography I received from this band ends with ‘review it or burn in Hell’. I’ve faced Hell a couple of times, figuratively, but since I am not that eager to burn out there (it’s way too hot for my sensitive skin…), please find the review right here…

Doomentor are a somewhat mysterious band (I have no idea who the members behind this act are), performing exclusively, as they call it themselves, Black Occult Imperial Doom Metal. …Sounds good, but what does it mean? And is it a correct description anyway?

One of the new releases we could receive from Cold Raw Records, a young but enormously interesting label from the U.K., is Dasap’s Don’t Worry, It Will Be Worse… Dasap are a French act with its roots in the early nineties. Back then Julien ‘Dju’ Divert started his solo-outfit Tenebricosus, with one self-released demo-tape (Eth Niger Solt) on its discography. Then the moniker changed to Element for a couple of months, and then to The Element.

Surgical Remission / Surplus Steel is some kind of compilation, or as Jeff Walker states ‘tying up loose ends’. This EP consists of previously unreleased songs taken from the Surgical Steel-recording sessions (though there have been some occasions to meet this stuff, like the Japanese edition, if I am not mistaken), but considered to be too good not to use.

Shortly after the release of the fantastic Atrum Tempestas-album Néant (see update November 10^th 2014), very young Portuguese label Nordavind Records release Solace, the second full length of Norway’s Vinterbris. The band was formed in 2008 in the city of Bergen, and there were an EP and a self-titled debut full length before. This sophomore full recording deals with man’s struggle called Life, and its place in history and within Nature.

Greek mysterious and occult outfit Thy Darkened Shade return with the sophomore album Liber Lvcifer I: Khem Sedjet, successor of 2012’s Eternvs Mos, Nex Ritvs (which was released on the World Terror Committee roster as well). Semjaza (instruments & production; also in e.g.

When the Hungarian Doom-band EvenSong was put to hold, the couple (?) Ágnes Tóth (vocals, violin, percussions, keyboards, flute, dulcimer etc.; she also takes care of the cover and lay-out) and Miháli Szabó (vocals, strings; also zither and kalimba, for example) formed the Neo-Classical act The Moon And The Nightspirit (in 2003).

With From The Dead Villages’ Darkness, Sivyj Yar bring ‘songs about those who have gone into oblivion, the memories of whom has been lost’.

In a couple of days I will write a review for a new Varathron-album, Untrodden Corridors Of Hades, but this review deals with five-piece No Hand Path, which consists of two Varathron-members, i.e. the brothers Haris and Sotiris Kokkinos, performing drums and bass respectively.

Nasheim were formed at the very beginning of this century by Erik Grahn (think: Lethal, Envenomed etc.) and a couple of colleagues. During the first half of the former decade, Nasheim recorded two great demos, which were compiled afterwards, and in 2007 there was the superb split with Angantyr. All this came to realisation thanks to the professional assistance of Northern Silence Productions.

I’ve got bad and good news. The good news: here is a new Nachtmystium-album! The bad news: it will be Nachtmystium’s final release. Apparently Blake ‘Azentrius’ Judd has some problems with law (theft, rip-off stuff, and contract issues with Century Media), forcing him to bury this band. This swansong sort of is the ideal, ultimate closure for a great era. Thanks anyway, Blake, for having mankind suffered by your aural bleakness, and f*ck you for ripping off people!