Wroth Emitter Productions is a Russian label, founded by Alex ‘Curche’ Pyshkin, who is also active as lyricist / chanteur in the Doom-Death act Halter. It’s a small and modest label, despite a long time of existence / experience. Quality above quantity, you know. Anyway, a stunning release they are responsible for is We Were Always Alone, the debut of the Finnish-German duo Oakmord.
Witch Haus In The Forest is a collaborative effort by two international acts, i.e. one from Belgium and one from Chile. Marc Ceulemans aka Brainquake is a very productive Electronic / Noise / Experimental musician from Belgian soil, active since last century and responsible for numerous releases, amongst which different splits / collabs (with e.g. Brazilian Noise project Ferra-Reto [related to Nailed Nazarene Industries] or Italy’s HNW outfit Rapace).
Despite having some Gotmoor members in its ranks, it would be too easy (and incorrect) to consider Darkest Mind as a side-project of aforementioned top-act. The story started in 2014 or so, when Yuri ‘Y’ started this outfit as a solo-expression of the ideas he had. Actually, he wasn’t part of Gotmoor’s line-up yet, back then, which proves my former statement (about the ‘side-project’-thing).
I did deeply adore the former albums Inner Sanctum and Ectoplasm by Suffer Yourself, a project from Poland, no, Ukraine, or is it Sweden? No, seriously, Suffer Yourself was formed a decade ago by Stanislav ‘Hardman’ Govorukha, originating from the Polish side of the Carpathian mountains, but who moved over to Kyiv a while ago. At that time, he was the sole musician under this outfit’s moniker.
First this. This webzine writes reviews about Sonic Supremacy, not about Visual Art [movies / motion pictures]. But I would like to start this review with a small word about the short movie Keeley. It’s a well-written and nicely performed story, quite controversial, about religious fundamentalism and … Nope, I’m not going to spoil the fun yet. But believe me that from cinematic point of view, this material is highly recommended – and apparently it has been welcomed by many connoisseurs of the motion picture scene with superlatives and appreciation / respect / gratitude.
Noise and power in a golden package, White Noise Fuck Chronicles is the newest effort by Leeds, UK, based one-man army Gold, a project by a crazy human being (at least I know he’s human), here known as D¥$FUNCTion.
I will keep my introduction short, for Grand Celestial Nightmare is one of the 665 outfits that include the Dutch multi-faceted musician Maurice ‘Mories’ De Jong. You might know him as well from acts like Gnaw Their Tongues, The Sombre, Aderlating, Pyriphlegethon, Cloak Of Altering, Coffin Lurker and tens of others.
It is by going down into the abyss that we recover the treasures of life (Joseph Campbell).
When it comes to the name ‘Gurthang’ in terms of Tolkien worship, I won’t go too deep into the matter this time. ‘Gurthang’ was a legendary sword owned by Túrin Turambar, hero and protagonist in a tragic story – but even-though I am a dedicated Tolkien-fan, this review does not deal with the great books of that writer.
Not that very long ago, I got in touch with the sympathetic guy behind the label Depressive Black Ambient Records. Chris is a dedicated guy when it comes to Underground Music, but this Polish label’s roster too does impress enormously. It has to do with both the highly-qualitative projects involved, as well as the open-minded approach, for it deals with a wide range from Ambient to Noise, as well as some Black Metal projects.
