Goatpsalm is one of the most important projects by Horth, who is, or was, in acts like Sickrites, Pestilentia or Moriturus. And I adore what this band does, I really do. Erset La Tari, for example, must be one of my mostly preferred releases in the glorious Black Ritual Ambient Noise scene – check out the review for that album, if wanted, posted on February 18th 2015 (FYI: it was also released via the great and open-minded UK-based label Aesthetic Death).
When talking about the French Distant Voices label, I usually go into superlatives. That label deserves this for sure, and this for a couple of reasons. I like the crew behind, for they are really devoted to the scene, preferring craftsmanship and identity above profit. I like the few projects involved, for that’s the kind of Aural Art I do simply adore. But it’s this label as well that does release quite everything in a strictly limited yet totally handmade edition.
After a couple of years of totally silence, French trio Bind Torture Kill strike back, full force ahead, with their third miscreature, called Viscères. In 2014 and 2015 they gained some fame and popularity via their self-produced recordings Bind Torture Kill and Condamné (meaning ‘condemned’), both of them self-released. This second full length (their nameless debut was an EP) was recorded at the Warmaudio Studio in the band’s home city Lyon, and it clocks just over half an hour.
As you can read in my review for Necroheresy’s debut Divine Betrayal (published on June 16th 2015), I was very pleased by the intensity and craftsmanship of this Slovakian band. Those actual and former members of e.g. Karpathia, Silva Nigra, Evil Dead and Aeon Winds did convince me, so I was impatiently waiting for some new material. It took a while, but here they are, once again, with their first full length.
Vihan messU is the name of a very productive solo-project by a Finnish guy called Henri Raekallio. Last decade and this decade, Henri created a whole discography under different monikers, amongst which Vihan messU, which means something like ‘wrath from the masses’ or ‘fair hate’. Via the great Finnish label Patologian Laboratorio Productions, run by Aki Klemm, two Vihan messU recordings were presented to the thankful audience, being this one and an untitled one.
Quite soon after the full length Tysiacletnie Kajdany, which was this band’s fourth full length in a decade and a half of existence, Mystherium return with a new EP, Zwycięstwo. It’s a five-tracker that lasts for twenty-three minutes. The EP comes in a truly beautifully artistic CD-edition via Lower Silesian Stronghold, and there’s a (limited) tape-edition too (Werewolf Promotion). The material was mixed and mastered by Wojciech Cenajek at the Metal Sound Studio.
This untitled split album compiles previously released yet, sometimes, hard-to-get material from two cult-acts within the world of Thrash-Heavy-Fucking-Metal Violence. There’s Guerra Total at the one hand, a total-war horde from the capital of Colombia, and Metalucifer at the other, once started as a side-project for Japan’s finest Sabbat.
The Bearer of Death… Kalmankantaja is a productive outfit of a productive guy from Finland, Aki ‘Grim666’ Klemm. As musician, he’s involved with bands and projects like Hautakammio, Order Of The White Hand, Lathspell, Oath or Grimirg, amongst others, but he also runs the Patologian Laboratorio Productions label and the Patologian Laboratorio Studio.
Porcupine Tree frontman Steven Wilson acts under some other synonyms too. One of them is Bass Communion, which is a totally different outlet compared to his Rock-oriented bands or projects like, for example, higher mentioned Porcupine Tree, Storm Corrosion, Blackfield or Incredible Expanding Mindfuck.
Most of you will probable recognize the name of Nicolas Skog as the (sympathetic) guy behind one of Canada’s finest labels, Hypnotic Dirge Records. But he’s the guy as well who plays in Ancient Tundra, a project that surprised me enormously last year with Lost In Claustrophobic Thoughts.
