Nikolay Seredov is a (pretty young) guy from the Southern part of the small country Russia, and active in several combos out there. Besides being involved with e.g. Taiga and Stakhanovtsy, he’s also known as the sole member of Funeral Tears, an outfit which he started in 2007.
I do not know whether I can call Nytt Land as a side-project of Russian Pop-Folk outfit Ylande, but the fact is that both bands share members. This Russian act was formed not that long ago (2014) in the Siberian city of Kalakhinsk, very close to the border of Kazakhstan.
One of my ‘favourite’ artists on Cryo Chamber must be Randall Collier-Ford – no, stop! I have no favourites, for the Cryo Chamber roster has nothing else but great Drone / Ambient musicians. So I’ll start all over…
First this: Aux Portes De La Mort (‘at the gates of death’) was released on February 12th 2010, but the scroll-down menu does not go back that far. But once again: 2010!
Nagaarum is quite an active solo-project by Gábor Tóth, whom you might know from bands such as In Vacuo, GuilThee or Sunseth Sphere. This project started in 2008 as an Industrial / Ambient outfit, but Nagaarum permanently evolved. In the near future I will write and publish a review on Homo Maleficus, the 2017-album, but first I’ll write some words about 2016’s D.I.M.
Róbert Sipos, a Hungarian artist, is known for his passion for Techno Music, being involved in international events and raves as organisational collaborator, scene promotor and DJ (including radio shows). He acts as musician too, under the monikers ROBotron and Noisesculptor.
I will be very short on this one, for this new Aube Grise release soon follows the Hanterieur recording, and in a very near future I will come back to the Shale / Arrache-Moi ep. But until then, this CDr…
My first acquaintance with Phurpa was about three years ago, when Cyclic Law released this project’s self-called album. I did a review for it, which had been published on November 16th 2014. But this Russian act is active for quite some time. Actually, founding member Alexei Tegin started this outfit more than two decades ago, being inspired by the Bon cult, a tantric philosophy closely related, yet somewhat different (and older) than traditional Tibetan Buddhism as we, ignorant western people, know it.
As a convinced ‘fan’ of obscure, mystic, occult, ritual or just crazy Aural Art, I do whatever it takes - no, not whatever, yet at least quite a lot - to promote and support the (underground) scene. As an open-minded reviewer, I do write chronicles for new material, kindly offered to me by labels or bands / projects, but I do not mind, never at all, to spend my time on listening to, and writing about older material too. When a label or a band propose me to review an older recording, and in case I think it is worth spending my (valuable) time, I have no reason not to do so.
Doomster Reich are an act from the city of Łódź (located in the centre of Poland, about 140 kilometres South-West of capital city Warsaw), which were formed in 2012. They did release a first album in 2014, called The League For Mental Distillation, which I wasn’t that enormously enthusiastic about. Yet then again, I noticed a certain potentiality, despite leaving me unsatisfied. I did describe it like ‘The intentions, the ideas, are interesting; the final execution, unfortunately, is not - or at least: not yet.
