I recently posted a review for the debut of Swiss act Aspaarn, Ancestral Genocides. That album - and the same goes for both demonstrational mini-albums that have been released in the meantime - brings the bare essence of universal Black Metal in its purest form.
First this: I would never try to conquer my passion for fleshly lusts (my wife would never forgive me, haha…)…
Location: Poland
Members: Mister Sadox
Artwork: stunning
Type: digital only
Duration: 44:00
Genre: Harsh Ambient Noise Wall
Introduction: Another creation by the ultra-productive one-spirit entity Sado Rituals for this guy’s prolific label Gates Of Hypnos…
Country (for what it’s worth): Finland
Members: Janne Tuikkala (all instruments & song-writing) & Janne Partanen (vocals & lyrics)
Mix & mastering: Janne Tuikkala (at j.sound home-studio)
Artwork: Awinita Alm (link below)
Type: digital-only
Duration: 37:53
Genre: atmospheric & epic Melodic Black Metal
Country (for what it’s worth): Serbia (The Filthy Nebula) & Poland (His Haunted Humming)
Country (for what it’s worth): UK
Members: PB
Type: digital only
Duration: 39:36
Genre: Harsh Noise Wall
A riddle: you might surely know the enigmatic human entity behind this Pop-act; just think about an ‘album’ with the very same moniker released on Gates Of Hypnos… Woohoo, mystery…
Patrick Mytron is a nice guy from Canada, who I adore as well for his cool outfits Glessite (sludgy Doom-Drone Metal), Avitas (harsh Pagan Black Metal) or Kabexnuv (raw Occult Black Metal). Lesser known are his activities in Acid / Doom / Space / Stoner act Alien Tab, which have nothing to do with Black Metal whatsoever. And I do not dare to say that Vulcanodon Phazer is the successor of Alien Tab (quite different line-up), but for sure it is a worthy comparison.
Note: once again a sense of charity floats behind this release. All donations will go to charity-programs in Ukraine that focus on orphans out there. Respect!
Raffaele Pezzella, musician, master, label owner and so much more, came with the idea to have a kind of ‘contest’, an award in order to go even further with the promotion of the scene. This ‘election’ must be seen as a dedication to the underestimated worlds of sonic satisfaction, where / when ‘darkness’ and ‘innovation’ meet.
This review actually deals with a quadriptych (or tetraptych, if you want to), (recorded and) released over several individual moments in less than one month. Yet since all four chapters must be seen as one whole (dixit the author / composer), the four of them will be reviewed as being one total experience.
