Recently I wrote a review for the demo-collection De Retibus Morbiferis – Demo Compendium, which did collect the 2012- and 2013-demos Inopia Et Morbo and Sacrificium Necrothytum. That release must be considered as sort of gift to us, dear listeners, or as an additional highlight to Délétère’s debut full length album Les Heures De La Peste. …with eternal gratitude to Québec-based Sepulchral Productions. For the review: see update on December 22nd 2015!
Grieving Mirth hail from the border in between Mexico (Nuevo Laredo, Tamaulipas) and the U.S. (Laredo, Texas), formed by Mexican guitarist Abomination (Luciferian Rites, Demon Kultur) and North-American key-master Adversor (think Nethermost, Mysteria Inframundi, Wraith Of Extinction), and nowadays extended / strengthened by English blood (vocalist D.H., formerly of Criptum-fame, and nowadays involved with e.g.
Despite almost two decades of existence, Expenzer finally release their debut full length via Czar Of Bullets. This Swiss quintet had the material recorded, mixed and mastered at the Little Creek Studio by Gurd’s V.O. Pulver, who did some studio stuff for bands like Darkmoon, Zatokrev, Megora, Excruciation, Destruction a.o. before.
Dan Deagh Wealcan are a pretty young project with a Russian and an Ukrainian musician, i.e. original member Mikhael A. Repp (Dan Deagh Wealcan were supposed to be a solo-outfit of this Russian guy) and Ungrace’s Eugene ‘Iowa’ Zoidze-Mishchenkho. Earlier this year, the duo released its debut album, Two Straight Horizontal Lines And The Organized Chaos In Between: Director’s Cut, via Metal Scrap Records.
When thinking about aural pleasure from the Quebec era, I usually get forbidden thoughts and hidden pleasures because of my passion for the Black Metal scene out there. But there is a combo called Soil Of Ignorance that sickens man’s brain too, yet not from a blackened angle, yet from a grinding one.
Ungoliantha is an old (formed almost two decades ago) yet un-productive band around Lord Sinned (bass and vocals) from Ukraine, and with some colleagues )guitar player V. Karavaev, drummer Kim and synth wizard Igor Vershinin), he recorded this first album (which includes pretty old material) in between Autumn 2011 and Autumn 2012.
Hail!
There is no need to write a full introduction on Polish horde Dark Fury, for you can find the necessary information in one of the previously written reviews I did this and last year; just click on the band’s name on top (the same, evidently, goes for the great other material on Lower Silesian Stronghold).
I truly hadn’t heard of this band before, but what Torrens Conscientium bring with All Alone With The Thoughts is one of the better things I’ve experienced in 2014 from Ukrainian soil (indeed, 2014, and we’re close to 2016, but so WTF???). For nearly fifty minutes this album is like a journey through spheres of emotionality, integrity, introspection, grief and, for one reason or another (yet not one the listener should underestimate), anger and disgust.
In essence, ‘we’ at Concreteweb.be are a Rock-‘n’-Metal based webzine particularly. But there is a difference in between ‘we’ (that’s why I did notify it in my former phrase in italic) and ‘ME’ (there is a [subjective yet evident] reason to have this in capital letters; but that’s another story dealing with my eternal modesty and superiority), for the ‘me’ also tries to focus on other genres. There are several reasons, but I will not go too deeply into the subject.
One of the oldest yet still active (?) Death Metal entities from Russia is the horde called Bestial Deform, formed twenty five years ago. I do not know if it is because of that anniversary, but they re-release some of their oldest material, with professional assistance and support by two great Russian labels, More Hate Productions and Symbol Of Domination Productions.
