Guillaume Taliercio is known from his activities in bands like Cowards, Colossus Of Destiny and Eibon especially. The guy wrote some material during the first half of this decade, which did not exactly fit to one of the combos he is involved with, so he composed it as a personal project, which eventually got baptized as Heaume Mortal. He did it, and this isn’t but informative, under the name Guillaume Morlat, by the way.
I had not heard of Unmensch before, but that is not that strange, for this project was formed just two years ago. It is the outlet of one ZR, a guy (or girl, who knows) from the far West of Flanders. Little is known about both musician and project, for Scorn is the first official release by this mysterious outfit. The only thing I know is that his or her ‘music reflects the resentment towards the herd and focusses on individual strength and wisdom’. As a one-(wo)man army that’s an honest statement!
One of the first reviews, maybe the first, that I did for Eighth Tower Records (a strongly upcoming label run by Sonologyst’s Raffaele) was The Cave Of Metaphysical Darkness & Lights (http://www.concreteweb.be/reviews/moloch-conspiracy), released one year ago. And now the label and the project joined forces once more for the release of Baclou, an eight-track registration that clocks over fifty minutes.
Two years and something after their last full-length studio album (The Age Of Aquarius, Satanath Records and Murdher Records), Finnish cult-horde Gloomy Grim returns with a new recording.
Indesiderium are a two-piece from Los Angeles, California, formed in 2012 by vocalist / lyricist / bassist / guitarist / composer Atrum Lorde aka Atrum Abbas, and drummer / keyboardist / mixer / master Mattias ‘No-Body’ Snyder (both of them were colleagues in Gravespawn for quite some time, for your sweet information). They officially debuted in 2015 with the full-length Wanderer Of The Abyssal Plains (self-released).
The Polish Black Metal scene might be (one of) the ‘richest’ from Eastern Europe, I think, so there might be an impressive amount of qualitatively high-standard bands dwelling around there too. And one of the top acts – at least, this is my personal opinion, for what it’s worth – is this one: Gurthang. In essence, it is the brainchild of one A.Z.V. aka Azathoth, whom you might know as well from, for example, Cosmic Despair, Beyond Life or Azathoth (defunct in the meantime).
About one year after the grandiose recording Particle Void, also released via mighty Cryo Chamber, the duo Martin Stürtzer and Christian Stritzel return with their fourth masterwork. It was a coincidence, or a prophetic omen, but the day before label owner Simon Heath did send me this album’s download link, I had listened to Particle Void once again because I just felt like. Karma or not, but it made me aroused for some (understandable) reason.
Immortal Frost Productions is known especially for the many releases on compact disc, yet as from a couple of years ago, though quite modest, the label also released some material on vinyl. It all started with a split 12” EP in very early 2015, gathering Finland’s finest Azaghal and Belgian act Ars Veneficium, which involves label owner S. Now the label comes up with the tenth vinyl release, which is once again a split that includes Ars Veneficium.
Phil Illsley used to be the lead vocalist in Lordaeron for several years, and he’s involved with bands such as Taken By The Tide or Death Tripper too. But as A|V, he recently started the project Abduction. This solo-outfit is modestly productive, for Abduction recently released a new full-length album, the third one in nearly two years. The working title of that recording is All Pain Is Penance.
For sure being one of my favourite bands from the Middle-East, From The Vastland actually hail from Iran, although band leader Sina lives in Norway nowadays. The guy started this outfit in 2010 and throughout almost a decade of existence, he wrote and recorded some very nice stuff. From The Vastland debuted in 2011 with Darkness Vs.
