It has been almost two years; two years we had to wait for the successor of the nameless EP, but finally Belgium’s finest Eleanora return with a new pièce d’art, called Allure, once again under the protective wings of Consouling Sounds. The reason why I was so impatiently waiting, well, I’d like to invite you to check out the review I wrote for that mini-album, which was published on September 9th 2014…
Undersigned was totally blown away (figuratively) by Grimirg’s debut album MMXV-I; check out the review that was published on December 13th 2015. Both the project (Grimirg) and the label (Patologian Laboratorio Productions) are courtesy of Aki Klemm aka Grim666, for your information.
Morth is a one-man army formed in the Bulgarian city of Sandanski, in the far South-West of the country, close to the Greek and Macedonian borders. The project was born almost a decade and a half ago by Georgi ‘Erilyne’ Georgiev, but the guy moved over to North America in mean time.
Hailing from Portland, Oregon, uSSa, Lung Molde were formed somewhere in 2015 by MS (drums), AD (guitars and bass) and JH (vocals and guitars). They wrote and recorded some compositions, which they did release independently the digital way in September 2015. Little later, the great and, I hope, upcoming American label Caligari Records decided to release the material on tape. This gets released in an edition limited to 175 copies.
Formed a decade ago, South-France’s Pestiferum did offer the audience a limited yet highly acceptable number of releases; amongst those two splits (one with mighty Fhoi Myore) and a first album in 2009, being Solstice d’Hiver. Then, un moment donné, Pestiferum signed to (also mighty) Hass Weg Productions in order to release the sophomore full length studio album, Déchus Du Fléau, coming in an edition of 1,000 copies, including a sixteen-page booklet.
The Polish horde Aryman was formed at the very beginning of this century, but initially it was a band without name, without an aim (besides playing Black Metal!), without any official and professional recording or release. I guess it was in 2006 when main members Nefarius and Non Serviam decided to baptise their sonic brainchild as Aryman.
Let’s start with an open question: is it possible to seek for, and find, some symbiosis of melodious beauty and chaotic harshness? Can Power-Electronics and semi-divinity result in acceptable structures? Let’s find out…
I think the Greek scene has always been largely underestimated. Some ‘big’ names did reach the rest of the world (as from the Eighties), but there’s quite an impressive underground scene too with some excellent outfits, and unfortunately they do not (always) get the attention they (sometimes) deserve. With gratitude for Hass Weg Productions (and distributing partner-in-crime Lower Silesian Stronghold), at least one band sort of crawls out of the bottomless pits of oblivion.
I am glad that the Indonesian scene is on its revival. Actually, there were quite some fine underground bands during the earlier nineties in that era (Indonesia / Philippines / Singapore / Malaysia), but for one reason or another (hello mono-theistic religion?) those slowly faded away (except for the Singaporean one, I guess).
This album is a remarkable one, for it deals with an underestimated recording from quite a while ago. Actually, Yang-Tul was recorded and released on tape and vinyl in 1998 on Anomalous Records, a label run by Eric Lanzillotta.
