Satanath Records

EdxKemper

Well, when you name your band after a pretty guy like Edmund Kemper, you probably do not need to expect songs of love and pink dreams. Edmund Kemper was, as you surely know, a Californian serial murderer, who dismembered his victims and who is accused as well for necrophilia and cannibalism. He committed his first murders at the age of fifteen (his grandparents), and after some years of collocation, he did at least eight facts in less than a year.

Vanad Varjud

I had not heard of Estonian act Vanad Varjud before, but deep investigation learned me that this trio released a first recording in 2014 (which was called Apooriad, done on tape). Back then they were a duo, existing through highly productive / active musicians Thon and Sorts; but in mean time they recruited a lead vocalist, Ott – this guy, by the way, did work with the other ones before as guest / session vocalist on some of the many other projects these guys are involved with.

Endlos

Endlos were formed in 2012 in the Lower Saxonian area (Germany) by Jörn ‘J’ Hermann and Carsten ‘C’ aka ‘Waldseel’. Both of them are quite active musicians, being involved with several other bands and projects, and with Endlos their productivity isn’t inferior either. There were several demos and EP’s, and a split with Winterblood, and now they come up with their first official full length album, Im Fallen Verlaufen.

Colemesis

Both Satanath Records and Symbol Of Domination Productions, respectively parent label and sub-label by my dear brother-in-arms Aleksey, have some connections within the Costa Rican Metal Mafia, I guess.

Nazghor

Despite being active for four years only (they were founded in 2012), Uppsala, Sweden-based Nazghor now team up with their fifth recording, after Life Impaled (2013, Nebular Winter Productions / Dead Center Productions), Upon The Darkest Season (2014, Dead Center Productions, also re-released on tape afterwards), Through Darkness And Hell (2014, Metallic Media) and Diabolical Teachings (2015, a co-release of Metallic Media

Ad Noctem Funeriis

Ad Noctem Funeriis (to my limited knowledge of the Latin language [sorry but I didn’t speak it anymore since about twenty centuries…] this moniker has been misspelled, but who cares about that) are an Italian act that contributed on a split with defunct Italian band Propaganda in 2008, and that released a first album in very early 2009 (…of Evil and Torment, via Salute Records). Then things went silent, but eventually the band entered the studio again in Winter 2014 in order to record their second full length album.

Meneapneontes

Meneapneontes are a young project from the capital city of Greece, Athens, formed in 2011 and consisting of Vasilis Karogiannis (vocals & bass guitars) and Takis Boutsalis (guitars).

Poezd Rodina / Funeral Tears

Frozen Tranquillity is a collaboration in between two projects from Russia (one partly injected with human flesh from Ukrainian soil), which sees the light via, once again, an unholy marriage in between Metallic Media and Symbol Of Domination Productions. It brings three tracks by each participant, resulting in an experience that lasts for fifty four minutes. Here we go…

Missa Mortvm

Actually Missa Mortvm were formed almost five years ago, but Et Lux Perpetua Luceat Est isn’t but this Chilean band’s first official release. The album was initially released independently the digital way in very, very, very early 2015, and then pressed on CD in order to get released via the unholy trinity Satanath Records, Sphera Noctis Records and Darzamadicus Records (a co-operation that appeared before in other constellations).

Manipulation

One of the many releases that did came out on Russia’s Satanath Records in 2015, and since I promised label owner (and friend) Aleksey to give my attention to all of them, is Ecstasy, the third full length of Polish act Manipulation. This band was formed at the very beginning of this millennium, but after the recording (+ release) of their debut, they did split up. Eventually, the band reformed, and some more releases did follow, but their ‘success’ remained somewhat local.

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