Ivan Tibos.

(a short one)

One of the many (solo) outfits by English gentleman Nox, here known as Shadows, is called Sacred Dominions. You might recognize this guy as well from projects like the productive duo Wolves Eyes, sadly defunct Forest Grave, Sinisterite (which also includes Molestor Kadotus and Shatraug; unfortunately put on hold), Martial Dungeon Synth act Folcriht or Dark Autumn, amongst several others.

Violence makes me feel comfortable…

Silent Obsession are a young project (formed in 2017) from Algerian soil, formed by Max Marginal. At the end of Spring 2020, as a quartet, Silent Obsession independently released a first EP, called Lost. Now, about one year later (and a couple of minutes or so), the project finished a second EP with the working title Countdown, also independently released.

Actually I was not about to write a review on this album, for it was released almost a year and a half ago. But then again, as you might know, I do not, ever, mind to write down my thoughts and ideas about material that has not been released recently; as long as it does deserve any additional promotion or support, you can count me in.

The moniker ‘genune’ is often used in Romanian translation as ‘precipice’ or ‘abyss’ or so. But it is the name as well for a promising act from Romanian soil, formed about one decade ago. Throughout these past ten years, Genune did finish a limited yet quite great and interesting amount of stuff, i.e. the albums Cern Sol and Inert & Unerring. The latter is the content of this review, inspired by a novel of Arthur Koestler when it comes to the title of this album; not unimportant to understand the thematical approach.

It would be a waste of time to express my appreciation, dedication, respect, whatever, for Dutch musician / artist - oops, that’s too much; ‘artist’ or ‘musician’ are monikers way too inferior, way too extreme, hehe, for this guy also performs as Gnaw Their Tongues or Aderlating… Anyway, Maurice ‘Mories’ de Jong has about 333 projects going; some even more intriguing than others.

Normally I do not delve deep into Metalcore-oriented stuff. Concreteweb (undersigned included, as being the sole reviewer) however tries to be open-minded, as long as the content is worth being treated. Well, earlier this year a band from Kortrijk, Flanders, Belgium, Europe, Earth, Universe, sort of asked me about my opinion of their new album Weight Of The World. And you know, since I was (and still am) surprised the positive way by that release, I have no reason not to write down my thoughts on that album.

(short review, but I felt the urge to party along with the vandals…)

(same message as yesterday, for my Bonaventure-review) [due to health issues in my family, quite some reviews have been delayed; this one too is about an album for which the review had been prepared a while ago, yet it never got finished; now it will…]