EP

Belarus Beaver

Even during harsh and uncertain eras, new labels arise out of the putrid depths. Please bid welcome to Grind To Death Records, a pretty young label based in Malmö, Sweden, which focuses on the harsher side of Death Metal (Brutal / Slam / Grinding Death Metal) and Grindcore. The label did start enormously tranquil, with only two releases in 2020 – yes, that’s it – but I have the feeling that this isn’t but an omen, the quiet before the storm, and I expect a tornado on skull-crushing material yet to come.

Plaguebreeder

After the Lahti, Finland based act Avafrost split up, some of its members decided to continue spreading their word of joy and peace, so they did form a new act, Plaguebreeder; the moniker of this band being at least as sweet and tolerant as the message they want to bring. …quite prophetic back then, quite topical too lately. Indeed, with poems dealing with human extinction and post-nuclear devastation, their message is filled with cheer and mirth.

Omination

Because this release was the most captivating, overwhelming surprise from 2020 – at least for me – I couldn’t but ignore it; I just have to write down something to express my wonder. Also, this band have recently finished a next opus, so as a prequel to that upcoming full album, foist some thoughts on this one-track mini-album.

Cryostasium

One of the most, eh, how will I put it, eh, let’s call it a ‘weird’ label… So, here it comes: Fish Prints is a weird label (haha, I did it, safely), dedicated to ‘curious sounds, past and present’, with releases by some truly unusual artists. No, seriously, when talking about an open-minded approach, this label by Thor Maillet houses Music(k) from so many angles, yet with one thing in common: not for the grey masses!

Cryo Depth

Not that long ago, I got in touch with a young lady from Belarus, Olga Kann. I didn’t immediately recognize her name, but still I had to know some of her works, for she is quite ‘famous’ as visual artist (besides painter / drawing artist, she’s also photographer and sculptor, by the way, with a very open-minded artistic vision, drawing influences from different angles).

Cryo Depth

I did start this review, for myself, tens of times before, and I did delete my introduction time after time. I wanted to focus on the destructive nature of ‘us’, the human kind, and as you might know, ‘we’, that ‘human kind’, is a disaster for Mater Terra in all its aspects. But then again, I didn’t feel like going into that matter too deeply this time.

Catacombes

French musician Antoine Guibert aka Le Démoniaque surprised me enormously with 2017’s album Le Démoniaque, which got released via one of my mostly appreciated labels from France, Hass Weg Productions, under the flag of Catacombes (which is French for - and now you smart-ass will be surprised - ‘catacombs’ indeed!). So, it did somehow please me when R. from Hass Weg Productions did send me a successor to that debut full length album a while ago.

Iagon

I was not sure about how to start this review. I would focus on my appreciation for Dunkelheit Produktionen’s roster, since I am a ‘fan’ of Extreme Metal for, well, some decades. And then I would refer to the open-minded approach of this label for they do sign, and release, material from other (related) genres too.

Ctephin

Driven by a vision to support the Underground, I am open-minded in a sense that I do not limit myself to review new material only. Most labels I am working with do know that. And more than often I get in touch with an older release that is simply worth being experienced. In this review’s case, I want to refer to the fabulous – yet way too underestimated – label Drone Records, and the Ctephin release DUAD.

Educated Scum

Sometimes I prefer to keep it simple and short, for the sonic terror must do the talking. This surely goes for this release, called Corrupt, which is the second full length studio album by Moscow-based act Educated Scum. The band is active for about two decades, but they did not create that much stuff. Their former studio recording dates from 2011 (called React, by the way), and afterwards there was just a compilation (link for the review on that album, see below) and a live registration.

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