I do (did) follow Arkhon Infaustus as from the transgression from last century to the current one. I do (did) surely appreciate all releases this French band did in the past (especially released via Osmose Productions), but I was not exactly totally blown away either (personal opinion – nothing you need to worry about) – yet at the same time, I think this band improved throughout their existence. So, I wasn’t exactly depressed when they split up about a decade ago, but still it was a pity.
My passion (my wife doesn’t call it a passion yet rather an obsession – whatever…) for the extremest regions of Metal was born during the second half of the Eighties (shut up, I know I’m getting old). Back then, there were a couple of labels that were truly leading – many of them being defunct in mean time (or transformed into some gay Pop Music entity – no further comment). Anyway, at the very early nineties, one of those eminent labels, at least to my opinion, was Osmose Productions.
If there is one thing about Corona Barathri is that I like is that a song never is just a song. It’s much more than that. A trip, a journey, an experience. With the right imagination it is possible to travel to the deepest caverns of Hell. Anima Tenebrarum is a recording for the Kalpamantra compilation Suiyase.
I will be very short on this one, for this new Aube Grise release soon follows the Hanterieur recording, and in a very near future I will come back to the Shale / Arrache-Moi ep. But until then, this CDr…
A serpent crawls along the birthing womb of a nebulous sun. Labyrinths of broken mirrors trace the path to its utterly devoured glare. Endlessly superimposed patters of blazing shades that cloak the matrix of unconsciousness. Blind visions of a mutilated light. Revealed images of a chaos spawned geometry, diagrams of a hidden order.
Quite soon after the full length Tysiacletnie Kajdany, which was this band’s fourth full length in a decade and a half of existence, Mystherium return with a new EP, Zwycięstwo. It’s a five-tracker that lasts for twenty-three minutes. The EP comes in a truly beautifully artistic CD-edition via Lower Silesian Stronghold, and there’s a (limited) tape-edition too (Werewolf Promotion). The material was mixed and mastered by Wojciech Cenajek at the Metal Sound Studio.
Most of you will probable recognize the name of Nicolas Skog as the (sympathetic) guy behind one of Canada’s finest labels, Hypnotic Dirge Records. But he’s the guy as well who plays in Ancient Tundra, a project that surprised me enormously last year with Lost In Claustrophobic Thoughts.
I usually do not write an article about a short preview on an upcoming release. But if asked very kindly, I can’t say no. Why should I ignore a good band anyway, especially when a review might mean some additional promotion and attention? So here I am…
Incipient Chaos are an act from Nantes, France, formed somewhere in 2014. That very same year, they recorded and released a first EP, called Sulphur, which was based on the first alchemic presentation of sulphur, represented through symbolisation aspects like Earth and Fire, Spirit and Man (the masculine representation of humans). It was, just for your information, released in Summer 2014 via their own sources (digital) and Mortis Humanae Productions (physical edition).
After The Abyss Stares Back # 1, The Abyss Stares Back # 2, The Abyss Stares Back # 3, and, indeed, The Abyss Stares Back # 4, we can now welcome The Abyss Stares Back # 5, the final instalment of this vinyl series. Under the collaborative flag of Absent In Body, this time too, The Abyss Stares Back stands for a co-operation by some of our world’s most unique, prominent and authoritarian (smiley…) artists.